Movie Title:Gun Crazy

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Over the years, I had seen the striking, lurid poster for “Gun Crazy” in various film books ( nicely rendered on the DVD conceal ), but I had never actually seen the movie. Well, the movie knocked me out! This has to be one of the greatest “B” movies of all time. It was also briefly titled “Deadly is the Female”, very “film noirish” and appropriate.

I will not drawl too many details about the plot–other reviewers have covered it extensively ( perhaps in some cases too extensively ) . Bart Tare ( John Dall ) has had a passion for guns his whole life. At a carnival, he meets a sideshow sharpshooter from London, Annie Laurie Starr ( Peggy Cummins ) . They are soon sharing not only a passion for guns, but an intense passion for each other! Falling under the spell of this charismatic, young blonde–who craves excitement, action and the finer things in life–Bart is drawn into a cross-country crime spree that escalates from robbery to assassinate.

As one of the best “femme fatale” types in film history, Peggy Cummins gives a rivetting performance. You can’t capture your eyes off her, as she fanatically plunges down a road from which there is no return, taking the man she loves with her. Her character steals money–Ms. Cummins steals the movie! As Bart, John Dall is rather stoic and one-dimensional until later in the film, when he realizes the wound he is causing others, including those who were terminate friends. His performance really picks up in the later scenes. Incidentally, Bart as a youth is played by Russ Tamblyn, later to spark a number of movies with his dancing and acrobatic skills.

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The other “star” here is the Director, Joseph H. Lewis. His reach is refreshing and innovative. I particularly liked the scenes where you–the audience–are in the support seat of the getaway car during a heist. You cannot befriend but wonder how remarkable later films like “Bonnie and Clyde”, “Badlands” and “Natural Born Killers” were influenced by this low-budget masterpiece?

I also liked the method that Lewis depicts the sexual overtones of his characters and situations, remembering that this film was first released in 1949.

Concerning the represent quality of the DVD, I examine that one reviewer had some problems with the image. Personally, I found the shaded and white represent to be crisp and positive, especially for a film now 55 years traditional. The optional comments of author/film buff, Glenn Erickson, are a very nice bonus.

“Gun Crazy” provides further proof that, whether it’s the 1940s or 2004, you don’t need mammoth budgets and “superstars” to create a memorable film. If you have a taut script, a talented director and even one terrific performance, you can near up with a winner. Thank you, Warner Bros!

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Buy,Download, Or Stream Gun Crazy! Click Here

Gun Crazy is a record of the symbiotic relationship between two sharpshooters: he’s a gentle soul who likes guns and loves her; she’s a psychopath who winds him up like a cheap gawk.

They seize their diagram across mid-west, pick up chased by the cops, ruin a few people on the plan. But when push comes to shove, when the sparkling money says “split up”, they can’t possess to be apart.

It’s a Pre-”Bonnie and Clyde” “Bonnie And Clyde”; a perverse mixture of sadism and sympathy.

For Afficionadoes:

Joseph H Lewis was on of those B-Movie directors who knew how to do his limitations into strengths. As a result there are some improbable camera moves, car-rigs, lighting set-ups, and all round immense cutting.

The set-piece is the one-take real-time bank robbery, shot in a town of people most of whome didn’t know anyone was making a film. It saved Lewis a day of shooting, and I haven’t seen it’s equal.

The Practicle Car-Rigs dilapidated were unique for their time (there’s very petite rear-projection.

For Everyone Else:

Non-Stop and Never A Tiring, Moment.
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Movie Title:Ken Park

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“Ken Park” has been controversial because of its explicit presentation of trusty sexual acts by actors portraying high school kids and because it has been banned in some English-speaking countries and has no distributor in the others. I suspect that the notoriety has overshadowed the loyal merits of the film.

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The location is presented as several intercut stories. The stories themselves are almost completely isolated from one another aside from the fact that all the characters know each other quite well. The stories progress parallel to one another, and the characters have absolutely no interaction with one another until the next to last sequence. That scene may summarize the approved attitude that prevails among these teenagers, but it doesn’t pack powerful of a punch. In fact the whole movie doesn’t pack worthy of a punch. I’m not definite it really tries to. It simply tells these stories directly with not factual judgments and lets them loose for the audience to gain of them what they will.

That is not to say that the performances are passe. They aren’t. Most of the young actors had only marginal prior experience in film acting, but they gave decent, workmanlike performances that were perfectly adequate. The supporting adult actors were better, but they generously avoided overshadowing the less experienced actors. So there’s not any mismatch within the cast.

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The cinematography, art direction, and editing don’t call attention to themselves which in this movie is a obedient thing. The special effects in the violent scenes are believable and seamless. I liked the plan the film looked.

The musical catch is appropriate and not manipulative. It doesn’t acquire in the scheme of our personal responses to the stories. That is a staunch strength in this film. The dialog is always certain. You won’t miss a single line. So the movie sounds edifying.

So there is nothing really irascible with this film. The viewer will like or abominate this film mainly based on how willing he is to empathize with the high schoolers whose stories accomplish the core of the movie. Those stories strike me as handsome coarse, and the characters are not particularly sympathetic, but if they attain “buy-in,” the movie succeeds.

Some will be offended by the proper sex in the film. Others will be offended that these actors are portraying underage characters. That’s a matter of personal preference and values, but the sexual contours of the characters’ lives are central to the film. So the film did not seem to be exploitive, prurient, or coy (like some of Larry Clark’s earlier films were) .

Taken in its entirety, the movie is fair fine and better than most of Larry Clark’s earlier films.

Ken Park was a really well done film it holds up to the Larry Clark standards some scenes were graphic and kind off made you reflect to your self whats up with this movie but over all it is worth watching!
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Movie Title:Sailor Moon S – The Complete Uncut TV Set

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I bought this DVD area at Best Select after remembering that I watched Sailor Moon on Cartoon Network when I was seven. I had always wondered when all the planets were going to be represented, and now I know. I’m guessing that Cartoon Network showed the first and second seasons (completely dubbed and out of human control, not that I noticed, since I was unprejudiced a kid) .

Anyway, this season is astronomical, because all of the area twists (they were also predictable at the same time, but a few of the crucial things were a complete surprise to me) . Almost all the episodes are the same, as the Sailor Senshi deal with the Death Busters (or Bureau of Poor Behavior, as in the English version) and their atrocious station to consume the pure hearts from qualified people, usually friends of the Sailors and the Sailors themselves. The professor in charge of the Death Busters calls forth Kaorinite, and all of the Witches 5: Eugeal, Mimet, Telulu, Byruit, and Ptirol (Individually, of course, impartial to stretch out the season) . This is also the season where Sailors Uranus, Neptune, and Saturn (Saturn doesn’t appear until noteworthy later in the season) are introduced, and Pluto comes benefit halfway through the season. The normal Senshi don’t know if Neptune and Uranus are fighting with them or not.

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I really like the Japanese version better than the English, because it fair makes a lot more sense and the tell acting is SOOOOOOOOOO powerful easier and less frustrating to listen to. I abhor the English voices for the normal sailors, because they fair don’t match. The outer planet soldiers’ voices match better, but I unprejudiced can’t stand listening to the others. But because these episodes were made in the 90′s, everything was recorded in mono…which I didn’t really glimpse until I switched between the English and Japanese.

This season is probably the best out of all 4 that I have seen (I haven’t seen StarS yet, but I will soon) because it has the best plotline and villains, and it gets to the point without an insane number of filler episodes…the best episode is “Glass Shoes for Her Birthday! Usagi in Tears!” -It’s Usagi’s birthday and her friends act like it’s nothing special and…well…you should gaze for yourself!

Not ever being a ample fan of anime, Sailor Moon caught me off-guard several years ago. Even concept the reveal is very “minute girl oriented” I fell in savor with it instantly.

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Sailor Moon S is the third of five seasons of Sailor Moon. It is also my very common. This season introduces Sailors Uranus, Neptune, and Saturn while giving Sailor Pluto a more distinguished area with the Sailor Soldiers.

Sailor Moon S is also the darkest of the five seasons of Sailor Moon. The deaths of the villains (Witches 5) are also very inspiring.

If I were to recommend a cartoon/anime to delicate remarkable anyone, I would definitely recommend Sailor Moon S

[As an added hint, gape the English dub with the subtitles for the Japanese version. This may back you tell information that is unclear in the English version.]
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